Charlotte Salomon - Archives of Women Artists, Research and Exhibitions
Charlotte Salomon: Colors of the Soul | Neue Galerie Design Shop & Book Store
This young woman created 784 paintings while hiding from the Nazis
The CJM
A Conversation on Charlotte Salomon - Leo Baeck Institute
Charlotte (1980) | Jewish Museum Berlin
A spirit the Nazis couldn't erase: Charlotte Salomon: Life? or Theatre? review | Art | The Guardian
A New Film About Charlotte Salomon Strips Her Soul from Her Art | Jewish Women's Archive
The unclassifiable work of Charlotte Salomon - Jennifer Krasinski - Bookforum Magazine
New film brings to life a young Auschwitz victim's extraordinary mixed media display | The Times of Israel
Painting on the Precipice | Lisa Appignanesi | The New York Review of Books
Art du Souvenir - Charlotte Salomon (Berlin, 1917 - Auschwitz, 1943), German Collection Jewish Historical Museum, Amsterdam; © Charlotte Salomon Foundation; Charlotte Salomon® In the early days of World War II, a
Charlotte Salomon
Charlotte Salomon at the Jewish Museum London — Simon Schama on a modernist masterpiece
The Mystery behind Charlotte Salomon's Groundbreaking Art - JSTOR Daily
The Obsessive Art and Great Confession of Charlotte Salomon | The New Yorker
A spirit the Nazis couldn't erase: Charlotte Salomon: Life? or Theatre? review | Art | The Guardian
She Put Everything Into Art': The Curator of a New Charlotte Salomon Exhibition on How the WWII-Era Artist Painted Through Her Pain
Charlotte Salomon. "Self-Portrait, Villefranche-sur-Mer, 1939–1941"
She Put Everything Into Art': The Curator of a New Charlotte Salomon Exhibition on How the WWII-Era Artist Painted Through Her Pain
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The Genre-Bending, Death-Defying Triumph of Charlotte Salomon's Art | Smart News | Smithsonian Magazine
Charlotte Salomon's Triumphant “No” - Public Books
Charlotte Salomon. Life? or Theatre?: Belinfante, Judith C. E., Benesch, Evelyn: 9783836570770: Amazon.com: Books
Theater review: In Charlotte Salomon an emphasis on life, not life interrupted - oregonlive.com
The Obsessive Art and Great Confession of Charlotte Salomon | The New Yorker
